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・ Robert Waley Cohen
・ Robert Waley-Cohen
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・ Robert Walker
・ Robert Walker (actor)
・ Robert Walker (American football)
・ Robert Walker (animator)
・ Robert Walker (Australian footballer)
・ Robert Walker (clergyman)
・ Robert Walker (English footballer)
・ Robert Walker (footballer, born 1884)
・ Robert Walker (footballer, born 1982)
・ Robert Walker (footballer, born 1987)
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・ Robert Walker (musician)
Robert Walker (painter)
・ Robert Walker (USN)
・ Robert Walker Irwin
・ Robert Walker Macbeth
・ Robert Walker Tayler
・ Robert Walker Tayler, Sr.
・ Robert Walker, Baron Walker of Gestingthorpe
・ Robert Walker, Jr.
・ Robert Walker-Brown
・ Robert Wall
・ Robert Wall (disambiguation)
・ Robert Wallace
・ Robert Wallace (bishop)
・ Robert Wallace (British Army officer)
・ Robert Wallace (Canadian politician)


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Robert Walker (painter) : ウィキペディア英語版
Robert Walker (painter)

Robert Walker (1599–1658) was an English portrait painter, notable for his portraits of the "Lord Protector" Oliver Cromwell and other distinguished parliamentarians of the period. He was influenced by Van Dyck, and many of his paintings can now be found at the National Portrait Gallery, London.
==Life and work==

Walker was the chief painter of the parliamentary party during the Commonwealth of England from 1649–60. Nothing is known of his early life. His manner of painting, though strongly influenced by that of Van Dyck, is yet distinctive enough to rule out the possibility of him being one of Van Dyck's immediate pupils.
He is chiefly known for his portraits of Oliver Cromwell, and our knowledge of Cromwell's appearance is mainly based on Walker's paintings, as well as the portraits of him by Samuel CooperPortrait of Oliver Cromwell by Samuel Cooper.〕 and by Peter Lely.〔(Sir Peter Lely ) (Spartacus educational – 5 Sep 2010).〕 There are two main types. The earlier, representing Cromwell in armour with a page tying on his sash, and the later, full face to the waist in armour, were frequently repeated and copied.
The best example of the first type is perhaps the painting now in the National Portrait Gallery (formerly in the possession of the Rich family).〔(Oliver Cromwell ) (National Portrait Gallery, London).〕 This likeness was considered by diarist John Evelyn (1620–1706) to be the truest representation of Cromwell which he knew (see Numismata, p. 339). There are repetitions of this portrait elsewhere. In another portrait by Walker, Cromwell wears a gold chain and decoration sent to him by Queen Christina of Sweden.
Walker painted Henry Ireton,〔(Portrait of Henry Ireton ).〕 John Lambert〔(Portrait of John Lambert ).〕 (examples of these two in the National Portrait Gallery), Charles Fleetwood, Richard Keble and other prominent members of the parliamentary government. John Evelyn himself sat for him, as stated in his ''Diary'' for 1 July 1648: "I sate for my picture, in which there is a death's head, to Mr. Walker, that excellent painter"; and there is another entry on 6 July 1650: "To Mr. Walker's, a good painter, who shew'd me an excellent copie of Titian".〔(The diary of John Evelyn, volume 1 ) (Washington: M. W. Dunne, 1901).〕 This copy of Titian, however, does not appear, as sometimes stated, to have been painted by Walker himself. One of Walker's best paintings is the portrait of an unknown man – formerly thought to be William Faithorne the elder – now in the National Portrait Gallery.〔(Portrait of an unknown man ).〕
In 1652, on the death of the Earl of Arundel, Walker was allotted apartments in Arundel House, which had been seized by the parliament. He is stated to have died in 1658.
Walker painted his own portrait three times – one is at the National Portrait Gallery, which also houses two engravings of portraits of Walker by other artists (one was finely engraved in his lifetime by Peter Lombart).〔(Robert Walker – self portrait ) (National Portrait Gallery, London).〕 Another example, with variations, is in the Ashmolean Museum at Oxford.〔(Robert Walker – self portrait ) (Ashmolean Museum).〕

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